This exhibition explores the mysterious visual world of symbolism, an open-ended cultural phenomenon of the late 19th century that formed an important bridge between impressionism and modernism. Yet more than these two movements, symbolism sought to evoke ideas subjectively—through color, form, and composition—rather than objectively representing worldly appearances. The title of the show is inspired by Les Fleurs du Mal (1857), an influential collection of poems by Charles Baudelaire, thus alluding to the literary antecedents of the movement.
Featuring 40 drawings, mainly from the permanent collections of the Harvard Art Museums, this exhibition covers some of the major themes of symbolism, such as dreams and visions, spirituality, nature, and the relationship between society and the self. It offers an expansive view, including not only artists who identified themselves as symbolists but also influential precursors, as well as artists active at the end of the movement. The exhibition acknowledges the international nature of symbolism, which was centered in France but extended to countries such as Austria, Germany, Belgium, the Netherlands, England, and the United States.