{"id":28079,"date":"2021-04-13T16:22:14","date_gmt":"2021-04-13T21:22:14","guid":{"rendered":"https:\/\/france-amerique.com\/abdellah-taia-a-l-ecoute-des-voix-de-l-exil-copy\/"},"modified":"2021-04-13T16:38:52","modified_gmt":"2021-04-13T21:38:52","slug":"maylis-de-kerangal-regarder-le-monde-en-trompe-oeil","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/maylis-de-kerangal-regarder-le-monde-en-trompe-oeil\/","title":{"rendered":"Maylis de Kerangal : regarder le monde en trompe-l\u2019\u0153il"},"content":{"rendered":"\t\t
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A eux trois, ils pourraient cr\u00e9er le monde. Etudiants \u00e0 l\u2019Institut de Peinture, \u00e0 Bruxelles, Paula, Jonas et Kate ont appris \u00e0 r\u00e9aliser de fascinants trompe-l\u2019\u0153il qui reproduisent l\u2019aspect de min\u00e9raux, de v\u00e9g\u00e9taux ou de mati\u00e8res animales. Pendant un an, ils ont respir\u00e9 les odeurs de peinture et de t\u00e9r\u00e9benthine, ont pouss\u00e9 \u00e0 bout leurs corps douloureux et se sont \u00e9croul\u00e9s, le soir venu, apr\u00e8s avoir aval\u00e9 un mauvais sandwich. Comme une \u00e9quipe d\u2019athl\u00e8tes, ils ont couru ensemble jusqu\u2019au dipl\u00f4me de fin d\u2019\u00e9tudes, peignant jour et nuit dans le petit appartement o\u00f9 vivent en colocation Paula et Jonas. Singuliers chacun \u00e0 leur mani\u00e8re, ils se sont choisis : Paula aux yeux vairons et au regard biais\u00e9 par un l\u00e9ger strabisme, fille d\u2019un couple de Parisiens sans histoires ; Jonas, secret et talentueux, une \u00e9ternelle casquette viss\u00e9e sur la t\u00eate ; Kate, grande bringue charpent\u00e9e et tatou\u00e9e qui a pay\u00e9 ses \u00e9tudes en travaillant comme physionomiste dans une bo\u00eete de nuit de Glasgow.<\/p>

Un monde \u00e0 port\u00e9e de main s\u2019ouvre sur leurs retrouvailles, \u00e0 Paris, en coup de vent, alors qu\u2019ils sont d\u00e9j\u00e0 dispers\u00e9s aux quatre coins de l\u2019Europe, encha\u00eenant les chantiers. Un d\u00e9sir \u00e9lectrique r\u00e9unit Paula et Jonas sous un r\u00e9verb\u00e8re, en un instant suspendu. Flash-back sur leur d\u00e9j\u00e0 lointaine ann\u00e9e d\u2019\u00e9cole. Construit en trois parties, le nouveau roman suit l\u2019apprentissage de Paula Karst, de ses vingt \u00e0 ses vingt-cinq ans, de ses premiers t\u00e2tonnements \u00e0 la d\u00e9couverte de l\u2019art pari\u00e9tal. Comme dans Naissance d\u2019un pont<\/em>, R\u00e9parer les vivants<\/em> ou Un chemin de tables<\/em>, Maylis de Kerangal observe avec pr\u00e9cision un m\u00e9tier, ses gestes et ses techniques, s\u2019empare d\u2019un lexique qui rend la langue plus vaste. Les phrases s\u2019\u00e9tirent comme de longs travellings ou des plans s\u00e9quence quand, par exemple, Paula marche dans les studios italiens de Cinecitt\u00e0, temple du cin\u00e9ma et de l\u2019illusion.<\/p>

Tendu par un amour qui contrarie les r\u00eaves de libert\u00e9 mais ne demande qu\u2019\u00e0 s\u2019\u00e9veiller, le roman s\u2019inscrit dans une double temporalit\u00e9 : le pr\u00e9sent d\u2019une jeunesse qui vit \u00e0 toute allure et les strates du temps long qui relie Paula et Jonas aux peintres des premi\u00e8res grottes orn\u00e9es. En plongeant au c\u0153ur de la cr\u00e9ation, dans sa dimension la plus charnelle et mat\u00e9rielle, c\u2019est peut-\u00eatre aussi sa propre \u00e9criture que questionne Maylis de Kerangal.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\"Un-monde-a-portee-de-main-Maylis-de-Kerangal-Gallimard\"\t\t\t\t\t\t\t\t\t\t\t
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Un monde \u00e0 port\u00e9e de main<\/em> de Maylis de Kerangal, Gallimard<\/span><\/a><\/span>, 2018. 336 pages, 8,10 euros.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Article publi\u00e9 dans le num\u00e9ro d’avril 2021 de France-Am\u00e9rique<\/em>. S\u2019abonner au magazine<\/a><\/span>.<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Apr\u00e8s Naissance d\u2019un pont<\/I> et R\u00e9parer les vivants<\/I>, Maylis de Kerangal suit dans Un monde \u00e0 port\u00e9e de main<\/I> \u2013 \u00e0 para\u00eetre en anglais le 20 avril \u2013 l\u2019itin\u00e9raire d\u2019une jeune peintre fran\u00e7aise, sp\u00e9cialiste du trompe-l\u2019\u0153il. Un roman d\u2019apprentissage, port\u00e9 par une \u00e9criture lumineuse, qui explore la fronti\u00e8re parfois t\u00e9nue entre l\u2019art et l\u2019artisanat.<\/p>\n","protected":false},"author":4,"featured_media":28081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-28079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"\nMaylis de Kerangal : regarder le monde en trompe-l\u2019\u0153il<\/title>\n<meta name=\"description\" content=\"Apr\u00e8s Naissance d\u2019un pont et R\u00e9parer les vivants, Maylis de Kerangal publie Un monde \u00e0 port\u00e9e de main, \u00e0 para\u00eetre en anglais le 20 avril.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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