{"id":31935,"date":"2010-05-17T09:00:57","date_gmt":"2010-05-17T14:00:57","guid":{"rendered":"https:\/\/france-amerique.com\/affaire-de-la-plaza-la-these-du-suicide-impossible-et-absurde-selon-lavocat-de-la-famille-copy\/"},"modified":"2021-11-03T11:04:32","modified_gmt":"2021-11-03T16:04:32","slug":"inflexible-flexibilite","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/inflexible-flexibilite\/","title":{"rendered":"Xavier Kim : inflexible flexibilit\u00e9"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"31935\" class=\"elementor elementor-31935\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6e9fc3e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6e9fc3e\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-97b4f27\" data-id=\"97b4f27\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4cc79f6 elementor-widget elementor-widget-text-editor\" data-id=\"4cc79f6\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p style=\"text-align: justify;\"><strong><em>France-Am\u00e9rique<\/em> : En quoi consiste <em>100 % croissance<\/em> et comment est n\u00e9e l&rsquo;id\u00e9e de ce spectacle ?<\/strong><\/p><p style=\"text-align: justify;\"><strong>Xavier Kim :<\/strong> J&rsquo;avais envie d&rsquo;aller voir ce qui se passe dans l&rsquo;entreprise. J&rsquo;essaie toujours de rejoindre une r\u00e9sonance sociale dans mes spectacles. Ayant commenc\u00e9 le cirque tard, j&rsquo;ai fait pas mal d&rsquo;animation au d\u00e9part. En voyant la situation de beaucoup de mes cong\u00e9n\u00e8res entre 20 et 30 ans, j&rsquo;ai commenc\u00e9 par faire un spectacle sur l&rsquo;ANPE. Puis, j&rsquo;ai cr\u00e9\u00e9 <em>100 % croissance<\/em>, dans lequel on joue beaucoup sur les inversions par le biais de la vid\u00e9o : le mur devient le sol, le sol devient le mur. La poign\u00e9e de mains devient un argument chor\u00e9graphique. Comme j&rsquo;ai un pass\u00e9 de judoka, on a greff\u00e9 du judo sur la danse. J&rsquo;aime faire du <em>body-jockeying<\/em>, comme un DJ, mais avec le corps. On se noie dans la vid\u00e9o pour \u00e9voquer cette absence de sa propre pr\u00e9sence de tous ces gens qui sont \u00e0 la ramasse, qui sont l\u00e0 sans avoir prise sur leur environnement. Il y a toujours un jeu entre une certaine beaut\u00e9 formelle et une interpellation sociale. \u00c7a nourrit la grammaire de la danse.<\/p><p style=\"text-align: justify;\"><strong>Comment avez-vous \u00e9t\u00e9 amen\u00e9 \u00e0 jouer ce spectacle au festival de San Francisco ?<\/strong><\/p><p style=\"text-align: justify;\">On a jou\u00e9 aux Subsistances, qui est un th\u00e9\u00e2tre lyonnais assez <em>trendy<\/em> et qui am\u00e8ne pas mal de programmateurs. Andrew Wood, le programmateur du Festival des arts international de San Francisco, est venu voir le spectacle \u00e0 ce moment-l\u00e0. Il a flash\u00e9, il a trouv\u00e9 \u00e7a super. Et puis on a eu un article dithyrambique dans <em>Le Monde<\/em>.<\/p><p style=\"text-align: justify;\"><strong>Comment a \u00e9t\u00e9 re\u00e7u le spectacle jusqu&rsquo;ici ?<\/strong><\/p><p style=\"text-align: justify;\">On a tous types de r\u00e9actions&#8230; On a beaucoup de gens type ouvriers qui me disent : \u00ab Moi d&rsquo;habitude, le cirque, \u00e7a me gonfle, mais toi, j&rsquo;aime bien ton truc. \u00bb Le fait de parler du ch\u00f4mage, de r\u00e9alit\u00e9s \u00e9conomiques et sociales, \u00e7a parle aux gens. Mais j&rsquo;avoue que ce n&rsquo;est pas le spectacle qui marche le mieux. On m&rsquo;a dit que c&rsquo;\u00e9tait tr\u00e8s bien, mais on ne le programme pas beaucoup. C&rsquo;est bizarre : quand on joue, c&rsquo;est dans des gros trucs, comme aux Subsistances ou \u00e0 Taiwan et San Francisco, mais on ne tourne pas beaucoup. Comme on est assez hybride, c&rsquo;est assez difficile de plaire \u00e0 tout le monde. Les amateurs de cirque trouvent qu&rsquo;il n&rsquo;y a pas assez de cirque, les amateurs de danse trouvent que ce n&rsquo;est pas de la danse. Les programmateurs pensent que \u00e7a ne correspond pas \u00e0 leur public. Entre l&rsquo;envie de la pratique sc\u00e9nique transdisciplinaire et la r\u00e9alit\u00e9 avec le robinet de financement, de diffusion et de production, ce n&rsquo;est pas \u00e9vident. Je l&rsquo;analyse comme \u00e7a, en tout cas. D\u00e9sol\u00e9, je ne me vends pas super bien !<\/p><p><br \/><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/sfiaf.org\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">San Francisco International Arts Festival<\/span><\/a><\/span><br \/>Du 19 au 30 mai 2010<br \/>Fort Mason Center<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>A quelques jours de l&rsquo;ouverture du San Francisco International Arts Festival, qui pr\u00e9sentera des spectacles d&rsquo;art vivant m\u00ealant danse, th\u00e9\u00e2tre, musique et performances issus de dix pays, le directeur de la compagnie fran\u00e7aise AKYS, Xavier Kim, revient sur la d\u00e9marche derri\u00e8re son spectacle <I>100\u00a0% croissance<\/I>, critique acrobatique d&rsquo;un syst\u00e8me \u00e9conomique d\u00e9shumanisant.<\/p>\n","protected":false},"author":357,"featured_media":31099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-31935","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Xavier Kim : inflexible flexibilit\u00e9<\/title>\n<meta name=\"description\" content=\"Le directeur de la compagnie AKYS, Xavier Kim, revient sur son spectacle 100\u00a0% croissance, critique d&#039;un syst\u00e8me \u00e9conomique d\u00e9shumanisant.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/inflexible-flexibilite\/\" 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