{"id":33819,"date":"2019-01-25T00:00:00","date_gmt":"2019-01-25T05:00:00","guid":{"rendered":"https:\/\/france-amerique.com\/le-livre-dimage-de-godard-en-salles-americaines\/"},"modified":"2022-03-03T11:19:28","modified_gmt":"2022-03-03T16:19:28","slug":"le-livre-dimage-de-godard-en-salles-americaines","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/le-livre-dimage-de-godard-en-salles-americaines\/","title":{"rendered":"Le livre d&rsquo;image de Godard en salles am\u00e9ricaines"},"content":{"rendered":"<div class='import_post'>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>R\u00e9compens\u00e9 d\u2019une Palme d\u2019Or sp\u00e9ciale au Festival de Cannes en 2018, le dernier film exp\u00e9rimental de Jean-Luc Godard, ce vendredi en salles am\u00e9ricaines, est aussi cryptique que fascinant.<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Ceci n\u2019est pas un documentaire. A 87 ans, l\u2019ic\u00f4ne de le Nouvelle Vague revient avec un essai d\u00e9routant sur le cin\u00e9ma. Le r\u00e9alisateur s\u2019int\u00e9resse \u00e0 la fa\u00e7on dont on fabrique les images, et \u00e0 l\u2019effet qu\u2019elles produisent sur le spectateur. On le sait, Godard est rarement didactique. Le r\u00e9alisateur soumet ici le spectateur \u00e0 un bombardement d\u2019archives diverses : de photos, de citations, de fragments musicaux, d\u2019extraits de films connus ou inconnus. On y croise p\u00eale-m\u00eale Buster Keaton, le western hollywoodien, Jean Cocteau et Gauguin. On go\u00fbte cependant \u00e0 la beaut\u00e9 du film sans d\u00e9chiffrer ou relier entre elles ces innombrables r\u00e9f\u00e9rences. Godard utilise ces mat\u00e9riaux bruts pour confronter le spectateur \u00e0 la mati\u00e8re cin\u00e9matographique, en faisant varier le format de l\u2019image et le volume sonore.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Dans un deuxi\u00e8me temps, l\u2019objet se mue en conte g\u00e9opolitique. Godard nous entra\u00eene au Moyen-Orient, o\u00f9 le cin\u00e9aste a tourn\u00e9 les seules sc\u00e8nes r\u00e9centes de son film, interrogeant le spectateur sur le sens de conflits r\u00e9gnant et du chaos mondial. Maelstr\u00f6m visuel et sonore, Le livre d\u2019image est \u00e0 la fois un manifeste po\u00e9tique, un trait\u00e9 de morale et une le\u00e7on de cin\u00e9ma.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\"><iframe src=\"https:\/\/www.youtube.com\/embed\/JAXMVkV3idE\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><em><span style=\"color: #000000;\">Sortie am\u00e9ricaine : 25 janvier 2019<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\">Dur\u00e9e : 1h24<\/span><\/em><br \/>\n<em><span style=\"color: #000000;\">R\u00e9alisateur : Jean-Luc Godard<\/span><\/em><br \/>\n<span style=\"color: #000000;\"><em>Avec : Jean-Paul Battagia, Fabrice Aragno, Nicole Brenez<\/em><br \/>\n<em>Distributeur am\u00e9ricain : <\/em><a style=\"color: #000000;\" href=\"https:\/\/www.kinolorber.com\/film\/view\/id\/3197\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><em>Kino Lorber<\/em><\/span><\/a><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9compens\u00e9 d\u2019une Palme d\u2019Or sp\u00e9ciale au Festival de Cannes en 2018, le dernier film exp\u00e9rimental de Jean-Luc Godard, ce vendredi en salles am\u00e9ricaines, est aussi cryptique que fascinant. Ceci n\u2019est pas un documentaire. A 87 ans, l\u2019ic\u00f4ne de le Nouvelle Vague revient avec un essai d\u00e9routant sur le cin\u00e9ma. Le r\u00e9alisateur s\u2019int\u00e9resse \u00e0 la fa\u00e7on [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":33820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[164,365],"class_list":["post-33819","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cinema","tag-jean-luc-godard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le livre d&rsquo;image de Godard en salles am\u00e9ricaines - France-Am\u00e9rique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/le-livre-dimage-de-godard-en-salles-americaines\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le livre d&rsquo;image de Godard en salles am\u00e9ricaines - France-Am\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"R\u00e9compens\u00e9 d\u2019une Palme d\u2019Or sp\u00e9ciale au Festival de Cannes en 2018, le dernier film exp\u00e9rimental de Jean-Luc Godard, ce vendredi en salles am\u00e9ricaines, est aussi cryptique que fascinant. Ceci n\u2019est pas un documentaire. A 87 ans, l\u2019ic\u00f4ne de le Nouvelle Vague revient avec un essai d\u00e9routant sur le cin\u00e9ma. 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