{"id":34432,"date":"2018-02-12T00:00:00","date_gmt":"2018-02-12T05:00:00","guid":{"rendered":"https:\/\/france-amerique.com\/returning-to-reims-un-essai-de-didier-eribon-sur-scene-a-new-york\/"},"modified":"2022-03-03T11:24:29","modified_gmt":"2022-03-03T16:24:29","slug":"returning-to-reims-un-essai-de-didier-eribon-sur-scene-a-new-york","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/returning-to-reims-un-essai-de-didier-eribon-sur-scene-a-new-york\/","title":{"rendered":"\u00ab\u00a0Returning to Reims\u00a0\u00bb : un essai de Didier Eribon sur sc\u00e8ne \u00e0 New York"},"content":{"rendered":"<div class='import_post'>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">En r\u00e9action \u00e0 l&rsquo;\u00e9lection de Donald Trump, la c\u00e9l\u00e8bre actrice Nina Hoss (<em>Homeland<\/em>) a puis\u00e9 dans l&rsquo;essai du philosophe fran\u00e7ais Didier Eribon pour cr\u00e9er la pi\u00e8ce <em>Returning to Reims<\/em>.\u00a0<\/span><\/strong><strong><span style=\"color: #000000;\">Elle sera sur sc\u00e8ne avec la compagnie de Thomas Ostermeier jusqu&rsquo;au 25 f\u00e9vrier au\u00a0St. Ann\u2019s Warehouse de Brooklyn.\u00a0<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">A la mort de son p\u00e8re, Didier Eribon reprend contact avec sa famille et le monde ouvrier du nord de la France. Un univers qu&rsquo;il avait mis \u00e0 distance pendant trente ans, en raison notamment de son homosexualit\u00e9.\u00a0Tout en analysant la honte sociale que lui procurent ses origines, le professeur se rend compte que la classe ouvri\u00e8re, autrefois fi\u00e8rement communiste, s&rsquo;est tourn\u00e9e vers l&rsquo;extr\u00eame-droite.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><em>France-Am\u00e9rique<\/em> : Votre essai <em>Retour \u00e0 Reims<\/em><\/strong><strong>\u00a0est sorti en 2009. Dix ans plus tard, il inspire une pi\u00e8ce de th\u00e9\u00e2tre. Pourquoi\u00a0ce texte est-il toujours d\u2019actualit\u00e9\u00a0?<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>Didier Eribon :\u00a0<\/strong>Je n\u2019ai pas \u00e9crit <em>Retour \u00e0 Reims<\/em> comme un livre ancr\u00e9 dans une actualit\u00e9 particuli\u00e8re. Je voulais restituer l\u2019histoire de ma famille et du milieu social dans lequel je suis n\u00e9 et dans lequel j\u2019ai v\u00e9cu mon enfance et mon adolescence : la classe ouvri\u00e8re pauvre du nord de la France.\u00a0Il s\u2019agissait pour moi d\u2019une contribution aux sciences sociales et \u00e0 la th\u00e9orie critique. Mais c&rsquo;\u00e9tait aussi une tentative\u00a0pour comprendre notre pr\u00e9sent.\u00a0<\/span><span style=\"color: #000000;\">En prenant l\u2019exemple de ma famille, j\u2019analyse la mani\u00e8re dont le vote des classes populaires fran\u00e7aises s\u2019est d\u00e9plac\u00e9 de la gauche vers l\u2019extr\u00eame-droite \u00e0 partir du milieu des ann\u00e9es 1980. Avec la mont\u00e9e des partis d\u2019extr\u00eame-droite en France, en Allemagne, en Autriche, et avec le Brexit en Grande-Bretagne, <em>Retour \u00e0 Reims<\/em>\u00a0est entr\u00e9 en r\u00e9sonance avec l\u2019actualit\u00e9 europ\u00e9enne. Mon livre a pris au fil des ann\u00e9es une signification plus politique.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>Vous \u00e9voquez la mont\u00e9e des partis d\u2019extr\u00eame-droite en Europe. Or, apr\u00e8s avoir \u00e9t\u00e9 pr\u00e9sent\u00e9e \u00e0 Berlin et \u00e0 Manchester, la pi\u00e8ce <em>Returning to Reims<\/em> se joue d\u00e9sormais \u00e0 New York. Votre histoire et la mise en sc\u00e8ne de Thomas Ostermeier peuvent-elles toucher un public am\u00e9ricain ?<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">J\u2019ai voulu remettre la question des classes sociales au c\u0153ur de la perception politique et du d\u00e9bat intellectuel. Mon livre propose des analyses qui peuvent \u00eatre utilis\u00e9es pour parler d&rsquo;un grand nombre de pays, et une grille d\u2019interpr\u00e9tation qui a trouv\u00e9 une grande r\u00e9sonnance ailleurs qu\u2019en France.\u00a0<\/span><span style=\"color: #000000;\">J&rsquo;\u00e9voque\u00a0les probl\u00e8mes de la destitution \u00e9conomique, sociale et culturelle des classes populaires blanches, leur sentiment d\u2019\u00eatre les \u00ab\u00a0laiss\u00e9es pour compte\u00a0\u00bb des politiques n\u00e9o-lib\u00e9rales, leur r\u00e9volte contre le \u00ab\u00a0syst\u00e8me\u00a0\u00bb et \u00ab\u00a0l\u2019establishment\u00a0\u00bb&#8230; Bref, tout ce qui les am\u00e8ne \u00e0 se tourner vers les populismes nationalistes et racistes. Cela vaut autant pour la France et l\u2019Europe que pour les Etats-Unis.\u00a0<\/span><span style=\"color: #000000;\">Dans quatre Etats de la <em>Rust Belt<\/em>, une r\u00e9gion victime du ch\u00f4mage et de la pr\u00e9carisation, les \u00e9lecteurs se sont abstenus ou ont vot\u00e9 pour Trump parce qu\u2019ils ne se reconnaissaient plus dans la candidate d\u00e9mocrate.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\"><iframe src=\"https:\/\/www.youtube.com\/embed\/wuziFMjwnks\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\nSur sc\u00e8ne, votre essai prend la forme d\u2019un documentaire auquel vous avez v\u00e9ritablement particip\u00e9. La pi\u00e8ce se d\u00e9roule lors de l\u2019enregistrement de la voix off par Nina Hoss.\u00a0Que pensez-vous de cette adaptation ?<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><em>Returning to Reims<\/em> est un spectacle que Thomas Ostermeier a cr\u00e9\u00e9 avec Nina Hoss plut\u00f4t qu\u2019une adaptation de mon livre au sens strict. J<\/span><span style=\"color: #000000;\">\u2019ai trouv\u00e9 que le r\u00e9sultat final \u00e9tait splendide. Nina Hoss est, comme l\u2019ont dit plusieurs journaux, \u00ab\u00a0magnetic\u00a0\u00bb. L\u2019accueil si chaleureux du public lors de la cr\u00e9ation \u00e0 Manchester en juillet dernier puis lors de la premi\u00e8re allemande \u00e0 Berlin en septembre atteste que c\u2019est une grande r\u00e9ussite.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><em>\u00ab\u00a0Returning to Reims\u00a0\u00bb<br \/>\nDu 4 au 25 f\u00e9vrier<br \/>\n<\/em><em>St. Ann\u2019s Warehouse<br \/>\n45 Water Street<br \/>\nBrooklyn, NY 11201<br \/>\nwww.stannswarehouse.org<\/em><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>En r\u00e9action \u00e0 l&rsquo;\u00e9lection de Donald Trump, la c\u00e9l\u00e8bre actrice Nina Hoss (Homeland) a puis\u00e9 dans l&rsquo;essai du philosophe fran\u00e7ais Didier Eribon pour cr\u00e9er la pi\u00e8ce Returning to Reims.\u00a0Elle sera sur sc\u00e8ne avec la compagnie de Thomas Ostermeier jusqu&rsquo;au 25 f\u00e9vrier au\u00a0St. Ann\u2019s Warehouse de Brooklyn.\u00a0 A la mort de son p\u00e8re, Didier Eribon reprend [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":34433,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[161,431,304,162,180,351,336,337],"class_list":["post-34432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-books","tag-brooklyn","tag-livres","tag-new-york","tag-politics","tag-politique","tag-theater","tag-theatre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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