{"id":34995,"date":"2017-05-17T00:00:00","date_gmt":"2017-05-17T05:00:00","guid":{"rendered":"https:\/\/france-amerique.com\/de-dumbo-a-pulp-fiction-70-ans-de-palmes-dor-americaines\/"},"modified":"2022-03-03T11:29:33","modified_gmt":"2022-03-03T16:29:33","slug":"de-dumbo-a-pulp-fiction-70-ans-de-palmes-dor-americaines","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/de-dumbo-a-pulp-fiction-70-ans-de-palmes-dor-americaines\/","title":{"rendered":"De \u00ab\u00a0Dumbo\u00a0\u00bb \u00e0 \u00ab\u00a0Pulp Fiction\u00a0\u00bb\u00a0: 70 ans de Palmes d\u2019or am\u00e9ricaines"},"content":{"rendered":"<div class='import_post'>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>Aujourd\u2019hui s\u2019ouvre la\u00a070<sup>e\u00a0<\/sup>\u00e9dition du Festival de Cannes. C\u2019est l\u2019occasion de revenir\u00a0sur les vingt-deux films am\u00e9ricains qui ont \u00e9t\u00e9 r\u00e9compens\u00e9s du Grand prix du festival ou\u00a0de la Palme d\u2019or.<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Initialement, la plus haute r\u00e9compense du festival s\u2019appelait le \u00ab\u00a0Grand Prix du Festival\u00a0international du Film\u00a0\u00bb. Mais en 1954, les organisateurs de l\u2019\u00e9v\u00e9nement choisissent la\u00a0palme, blason de la ville de Cannes et r\u00e9f\u00e9rence aux palmiers de la Croisette, comme\u00a0symbole du festival et prix attribu\u00e9 au meilleur film de l\u2019ann\u00e9e.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>1939 : \u00ab\u00a0Pacific Express\u00a0\u00bb (\u00ab\u00a0Union Pacific\u00a0\u00bb) de Cecil B. DeMille<br \/>\n<\/strong>Avec cette \u00e9pop\u00e9e sur la construction du chemin de fer transcontinental, Cecil B. DeMille\u00a0donne au western ses lettres de noblesse, au m\u00eame titre que <em>La Chevauch\u00e9e fantastique<\/em>\u00a0(<em>Stagecoach<\/em>) de John Ford.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/HfGyU2a59fc\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1946 : \u00ab\u00a0Le Poison\u00a0\u00bb (\u00ab\u00a0The Lost Weekend\u00a0\u00bb) de Billy Wilder<br \/>\n<\/strong>Avec <em>Marty<\/em> de Delbert Mann, ce film noir en forme d\u2019hommage \u00e0 Raymond Chandler est le\u00a0seul film r\u00e9compens\u00e9 de l\u2019Oscar du meilleur film et de la Palme d\u2019or.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/N0-wNWJxGFM\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1947 : \u00ab\u00a0Ziegfeld Follies\u00a0\u00bb de Vincent Minnelli, cat\u00e9gorie Com\u00e9dies musicales<br \/>\n<\/strong>Cette com\u00e9die musicale rend hommage aux spectacles burlesques du m\u00eame nom produits \u00e0\u00a0Broadway par Florenz Ziegfeld. Au casting\u00a0: Judy Garland, Lena Horne, Gene Kelly et Fred\u00a0Astaire.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/aO_wY10l0Zo\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1947 : \u00ab\u00a0Dumbo\u00a0\u00bb de Walt Disney, cat\u00e9gories Dessins anim\u00e9s<br \/>\n<\/strong>Con\u00e7u comme une production \u00e0 petit budget, le quatri\u00e8me film des studios Disney est\u00a0aujourd\u2019hui consid\u00e9r\u00e9 comme l\u2019un des plus grands films d\u2019animation am\u00e9ricains.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/4hlowTTSyXo\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1947 : \u00ab\u00a0Feux crois\u00e9s\u00a0\u00bb (\u00ab\u00a0Crossfire\u00a0\u00bb) d\u2019Edward Dmytryk, cat\u00e9gorie Films sociaux<br \/>\n<\/strong>Robert Mitchum incarne un v\u00e9t\u00e9ran qui enqu\u00eate sur un meurtre antis\u00e9mite au lendemain\u00a0de la Deuxi\u00e8me\u00a0Guerre mondiale. Le r\u00e9alisateur saisit avec justesse les difficult\u00e9s du retour \u00e0\u00a0la vie civile.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/-_Nrcd7ITDQ\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1952 : \u00ab\u00a0Othello\u00a0\u00bb (\u00ab\u00a0The Tragedy of Othello: The Moor of Venice\u00a0\u00bb) d\u2019Orson Welles<br \/>\n<\/strong>Orson Welles r\u00e9alise et tient le premier r\u00f4le dans cette fameuse adaptation de la trag\u00e9die de\u00a0Shakespeare. Une copie du film est conserv\u00e9e \u00e0 Paris, \u00e0 la Cin\u00e9math\u00e8que fran\u00e7aise.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/fCZ0obRJa08\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1955 : \u00ab\u00a0Marty\u00a0\u00bb de Delbert Mann<br \/>\n<\/strong>Avec <em>Le Poison<\/em> (<em>The Lost Weekend<\/em>) de Billy Wilder, ce drame sentimental est le seul film\u00a0r\u00e9compens\u00e9 de l\u2019Oscar du meilleur film et de la Palme d\u2019or.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/cEeGnytI_KU\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1958 : \u00ab\u00a0La Loi du Seigneur\u00a0\u00bb (\u00ab\u00a0Friendly Persuasion\u00a0\u00bb) de William Wyler<br \/>\n<\/strong>Le film pr\u00e9f\u00e9r\u00e9 de Ronald Reagan, qui en aurait offert une copie VHS \u00e0 Mikha\u00efl Gorbatchev\u00a0en 1988. Gary Cooper y incarne un p\u00e8re de famille tourment\u00e9 par la guerre de S\u00e9cession.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/H-rRLvxy-ac\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1970 : \u00ab\u00a0MASH\u00a0\u00bb de Robert Altman<br \/>\n<\/strong>En filmant les p\u00e9rip\u00e9ties tragi-comiques du personnel d\u2019un h\u00f4pital de campagne am\u00e9ricain\u00a0pendant la guerre de Cor\u00e9e, Robert Altman fait sourire le public angoiss\u00e9 par la guerre du\u00a0Vietnam.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/O48Cr5vm6Yg\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1973 : \u00ab\u00a0L\u2019Epouvantail\u00a0\u00bb (\u00ab\u00a0Scarecrow\u00a0\u00bb) de Jerry Schatzberg<br \/>\n<\/strong>Al Pacino et Gene Hackman incarnent un duo de vagabonds dans ce road-movie dramatique\u00a0\u00e0 mi-chemin entre <em>Des souris et des hommes<\/em> et <em>Laurel et Hardy<\/em>.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/nYZPkHzf48Q\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1974 : \u00ab\u00a0Conversation secr\u00e8te\u00a0\u00bb (\u00ab\u00a0The Conversation\u00a0\u00bb) de Francis Ford Coppola<br \/>\n<\/strong>Gene Hackman endosse le r\u00f4le d\u2019un expert en \u00e9coutes t\u00e9l\u00e9phoniques dans ce thriller post-Watergate qui vaut \u00e0 Coppola la premi\u00e8re Palme d\u2019or de sa carri\u00e8re.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/vrhRsZ56b4g\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1976 : \u00ab\u00a0Taxi Driver\u00a0\u00bb de Martin Scorsese<br \/>\n<\/strong>Robert de Niro entre au Panth\u00e9on du cin\u00e9ma et Martin Scorsese re\u00e7oit la palme des mains\u00a0de Tennessee Williams \u2014 sous\u00a0les hu\u00e9es du public choqu\u00e9 par la violence du film.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/S7ORyD-e7-0\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1979 : \u00ab\u00a0Apocalypse Now\u00a0\u00bb de Francis Ford Coppola<br \/>\n<\/strong>Deuxi\u00e8me Palme d\u2019or pour Coppola. Il reste \u00e0 ce jour le seul r\u00e9alisateur am\u00e9ricain honor\u00e9\u00a0par deux fois de la r\u00e9compense supr\u00eame \u00e0 Cannes.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/Y9WPaf5Jiy0\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1980 : \u00ab\u00a0Que le spectacle commence\u00a0\u00bb (\u00ab\u00a0All That Jazz\u00a0\u00bb) de Bob Fosse<br \/>\n<\/strong>Bob Fosse, auteur en 1975 du spectacle burlesque <em>Chicago<\/em>, s\u2019inspire de sa carri\u00e8re de\u00a0danseur, chor\u00e9graphe et r\u00e9alisateur pour produire\u00a0cette com\u00e9die musicale.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/C74Pae3PpMo\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong><br \/>\n1982 : \u00ab\u00a0Missing\u00a0\u00bb de Costa-Gavras<br \/>\n<\/strong>L\u2019acteur Jack Lemmon incarne le p\u00e8re d\u2019un journaliste am\u00e9ricain assassin\u00e9 pendant le coup\u00a0d\u2019Etat chilien de 1973 et remporte le Prix d&rsquo;interpr\u00e9tation masculine.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/chLXsiIldCI\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\"><br \/>\n1989\u00a0: \u00ab\u00a0Sexe, Mensonges et Vid\u00e9o\u00a0\u00bb (\u00ab\u00a0Sex, Lies, and Videotape\u00a0\u00bb) de Steven Soderbergh<\/span><\/strong><br \/>\n<span style=\"color: #000000;\"> Cette com\u00e9die dramatique c\u00e8le la r\u00e9putation de Steven Soderbergh et rejoint la collection de la Biblioth\u00e8que du Congr\u00e8s, qui juge le film \u00ab\u00a0culturellement, historiquement et esth\u00e9tiquement important\u00a0\u00bb.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/rxdQQpJ9t-4\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\"><br \/>\n1990 : \u00ab\u00a0Sailor et Lula\u00a0\u00bb (\u00ab\u00a0Wild at Heart\u00a0\u00bb) de David Lynch<\/span><\/strong><br \/>\n<span style=\"color: #000000;\"> Boucl\u00e9 la veille de son avant-premi\u00e8re, le film arrive \u00e0 Cannes par avion, dans le bagage \u00e0 main de David Lynch.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/QCQwumNQL9E\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><br \/>\n<strong>1991 : \u00ab\u00a0Barton Fink\u00a0\u00bb de Joel Coen<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> Le film fait un flop au box-office mais couronne le succ\u00e8s de Joel Coen, qui re\u00e7oit le Prix du meilleur r\u00e9alisateur, et de John Torturro, qui re\u00e7oit le Prix d&rsquo;interpr\u00e9tation masculine.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/WK0WjWlVO9w\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><br \/>\n<strong>1994 : \u00ab\u00a0Pulp Fiction\u00a0\u00bb de Quentin Tarantino<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> En raccord avec l\u2019esth\u00e9tique du r\u00e9alisateur, cin\u00e9mas interlopes et films de s\u00e9rie B, le film est projet\u00e9 \u00e0 minuit. Le public adore.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/5ZAhzsi1ybM\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><br \/>\n<strong>2003 : \u00ab\u00a0Elephant\u00a0\u00bb de Gus Van Sant<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> Cette production ind\u00e9pendante \u00ab\u00a0diversifie le festival et en fait l\u2019endroit o\u00f9 voir des films qui choquent le consensus \u00e9tabli\u00a0\u00bb, \u00e9crit alors le <em>New York Times<\/em>.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/htlsOf3PnGY\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><br \/>\n<strong>2004 : \u00ab\u00a0Fahrenheit 9\/11\u00a0\u00bb de Michael Moore<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> Le film br\u00fblot de Michael Moore vise directement l\u2019administration Bush et re\u00e7oit une standing ovation de vingt minutes \u00e0 l\u2019issue de sa projection \u00e0 Cannes.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/yg-be2r7ouc\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><br \/>\n<strong>2011 : \u00ab\u00a0The Tree of Life\u00a0\u00bb de Terrence Malick<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"> Timide et introverti, le r\u00e9alisateur n\u2019assiste pas \u00e0 la projection du film et envoie deux de ses producteurs \u00e0 la c\u00e9r\u00e9monie de remise des prix.<\/span><\/p>\n<div class=\"embed-responsive embed-responsive-4by3\" style=\"text-align: justify;\"><iframe src=\"https:\/\/www.youtube.com\/embed\/WXRYA1dxP_0\" width=\"560\" height=\"600\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>[:]<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Aujourd\u2019hui s\u2019ouvre la\u00a070e\u00a0\u00e9dition du Festival de Cannes. C\u2019est l\u2019occasion de revenir\u00a0sur les vingt-deux films am\u00e9ricains qui ont \u00e9t\u00e9 r\u00e9compens\u00e9s du Grand prix du festival ou\u00a0de la Palme d\u2019or. Initialement, la plus haute r\u00e9compense du festival s\u2019appelait le \u00ab\u00a0Grand Prix du Festival\u00a0international du Film\u00a0\u00bb. Mais en 1954, les organisateurs de l\u2019\u00e9v\u00e9nement choisissent la\u00a0palme, blason de la [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":34996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[308,164,202],"class_list":["post-34995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cannes","tag-cinema","tag-festival"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>De \u00ab\u00a0Dumbo\u00a0\u00bb \u00e0 \u00ab\u00a0Pulp Fiction\u00a0\u00bb\u00a0: 70 ans de Palmes d\u2019or am\u00e9ricaines - France-Am\u00e9rique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/de-dumbo-a-pulp-fiction-70-ans-de-palmes-dor-americaines\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De \u00ab\u00a0Dumbo\u00a0\u00bb \u00e0 \u00ab\u00a0Pulp Fiction\u00a0\u00bb\u00a0: 70 ans de Palmes d\u2019or am\u00e9ricaines - France-Am\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Aujourd\u2019hui s\u2019ouvre la\u00a070e\u00a0\u00e9dition du Festival de Cannes. 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