{"id":35267,"date":"2017-01-23T00:00:00","date_gmt":"2017-01-23T05:00:00","guid":{"rendered":"https:\/\/france-amerique.com\/wax-tailor-le-dj-francais-prend-la-route\/"},"modified":"2022-03-03T11:31:00","modified_gmt":"2022-03-03T16:31:00","slug":"wax-tailor-le-dj-francais-prend-la-route","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/wax-tailor-le-dj-francais-prend-la-route\/","title":{"rendered":"Wax Tailor : le DJ fran\u00e7ais prend la route"},"content":{"rendered":"<div class='import_post'>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">Pens\u00e9 comme la bande originale d\u2019un road movie am\u00e9ricain, le dernier album du DJ fran\u00e7ais Wax Tailor, <a href=\"http:\/\/www.waxtailor.com\/nouvel-album\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\"><em>By Any Beats Necessary<\/em><\/span><\/a>, m\u00e9lange les influences : jazz, rap, hip hop, blues, rock\u2019n\u2019roll. Enregistr\u00e9 \u00e0 New York en collaboration avec une pl\u00e9thore d\u2019artistes (Lee Fields, Tricky, ou encore Ghostface Killah du Wu-Tang Clan), l\u2019album saisit un pays entre clich\u00e9s de carte postale et tensions raciales. En <a href=\"https:\/\/archivesfaold.wpengine.com\/event\/wax-tailor-usa-tour\/\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">tourn\u00e9e aux Etats-Unis jusqu\u2019au 18 f\u00e9vrier<\/span><\/a>, Jean-Christophe Le Sao\u00fbt r\u00e9pond aux questions de <em>France-Am\u00e9rique<\/em>.<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">France-Am\u00e9rique\u00a0: La culture am\u00e9ricaine est omnipr\u00e9sente dans votre album. D\u2019o\u00f9 vous vient cette influence ?<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\"><strong>Wax Tailor\u00a0:<\/strong> Je trouve mon inspiration dans le cin\u00e9ma am\u00e9ricain. Stanley Kubrick est une r\u00e9f\u00e9rence absolue. Je me sens aussi tr\u00e8s proche du cin\u00e9ma de Quentin Tarantino, d\u2019Alfred Hitchcock et de Martin Scorsese. Je me d\u00e9cris souvent comme un \u00ab\u00a0r\u00e9alisateur d\u2019album\u00a0\u00bb. Comme un arch\u00e9ologue, j\u2019aime remonter le temps et puiser dans les genres cin\u00e9matographiques et musicaux anciens. J\u2019ai con\u00e7u cet album comme la bande originale d\u2019un voyage aux Etats-Unis\u00a0: New York et le jazz des ann\u00e9es 1920, Detroit et la techno des ann\u00e9es 1990, le delta du Mississippi et le blues des ann\u00e9es 1940, San Francisco et le rock\u2019n\u2019roll des ann\u00e9es 1960.<\/span><\/p>\n<p style=\"text-align: justify;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-67878 aligncenter\" src=\"https:\/\/archivesfaold.wpengine.com\/wp-content\/uploads\/2017\/01\/Photo-WaxTailor-2016-1-670x452.jpeg\" alt=\"wax-tailor-french-dj-electro-music\" width=\"670\" height=\"452\" \/><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">N\u2019est-ce pas une vision un peu r\u00e9ductrice du paysage musical am\u00e9ricain ?<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Je vois deux Am\u00e9riques\u00a0: l\u2019Am\u00e9rique fantasm\u00e9e, un peu clich\u00e9e bien s\u00fbr, qu\u2019on fa\u00e7onne gr\u00e2ce aux films, aux s\u00e9ries t\u00e9l\u00e9vis\u00e9es et aux publicit\u00e9s, et l\u2019Am\u00e9rique r\u00e9elle, que j\u2019ai d\u00e9couvert au fil de mes voyages. Je pense qu\u2019il faut savoir faire cohabiter les deux\u00a0: appr\u00e9cier l\u2019image liss\u00e9e et idyllique de l\u2019Am\u00e9rique des cartes postales tout en restant conscient de\u00a0la violence de l\u2019histoire et de la culture am\u00e9ricaine. La couverture de l\u2019album illustre cette dualit\u00e9\u00a0: le d\u00e9sert, la route, le panneau publicitaire rouill\u00e9 et la pompe \u00e0 eau, comme tir\u00e9s d\u2019un western moderne, et la cl\u00f4ture de fil de fer barbel\u00e9, rappel des probl\u00e8mes d\u2019immigration.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">Est-ce cette dualit\u00e9 qu\u2019illustre le titre \u00ab\u00a0The Road Is Ruff\u00a0\u00bb ?<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">J\u2019ai enregistr\u00e9 cette chanson en avril 2016 avec Lee Fields [l\u2019un des premiers membres du groupe funk Kool &amp; The Gang, surnomm\u00e9 \u00ab\u00a0Little JB\u00a0\u00bb en hommage \u00e0 James Brown]. D\u00e8s le premier couplet, les paroles sont lourdes de sens. \u00ab\u00a0Hey to all of you newcomers [&#8230;], get up off your knees, and be the star you want to be.\u00a0\u00bb Lee Fields \u00e9voque l\u2019arriv\u00e9e de jeunes migrants aux Etats-Unis et leur d\u00e9die un message de soutien. Apr\u00e8s quarante-trois ans de carri\u00e8re, Lee Fields passe le flambeau et encourage la nouvelle g\u00e9n\u00e9ration d\u2019artistes \u00e0 se faire entendre. \u00ab\u00a0With a lot of hard work and a lot of tenacity, you can do it\u00a0\u00bb, continue-t-il. \u00ab\u00a0But the road is rough.\u00a0\u00bb<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #000000;\">Vous mentionnez les tensions raciales aux Etats-Unis. Le titre de votre album fait r\u00e9f\u00e9rence \u00e0 Jean-Paul Sartre, mais aussi \u00e0 Malcolm X. Faut-il y voir un message politique\u00a0?<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">On quitte l\u2019Am\u00e9rique fantasm\u00e9e pour revenir \u00e0 l\u2019Am\u00e9rique r\u00e9elle. Il y a cinquante-quatre ans, Martin Luther King pronon\u00e7ait son discours \u00ab\u00a0I Have a Dream\u00a0\u00bb lors de la Marche sur Washington pour l&#8217;emploi et la libert\u00e9. Lorsque l\u2019on voit que des mouvements comme Black Lives Matter sont plus que jamais d\u2019actualit\u00e9 en 2017, on est en droit de se demander ce qui a chang\u00e9 aux Etats-Unis.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pens\u00e9 comme la bande originale d\u2019un road movie am\u00e9ricain, le dernier album du DJ fran\u00e7ais Wax Tailor, By Any Beats Necessary, m\u00e9lange les influences : jazz, rap, hip hop, blues, rock\u2019n\u2019roll. Enregistr\u00e9 \u00e0 New York en collaboration avec une pl\u00e9thore d\u2019artistes (Lee Fields, Tricky, ou encore Ghostface Killah du Wu-Tang Clan), l\u2019album saisit un pays [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":35268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[187,279,629],"class_list":["post-35267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-music","tag-musique","tag-wax-tailor"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wax Tailor : le DJ fran\u00e7ais prend la route - France-Am\u00e9rique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/wax-tailor-le-dj-francais-prend-la-route\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wax Tailor : le DJ fran\u00e7ais prend la route - France-Am\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Pens\u00e9 comme la bande originale d\u2019un road movie am\u00e9ricain, le dernier album du DJ fran\u00e7ais Wax Tailor, By Any Beats Necessary, m\u00e9lange les influences : jazz, rap, hip hop, blues, rock\u2019n\u2019roll. 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