{"id":6732,"date":"2020-06-04T10:00:28","date_gmt":"2020-06-04T10:00:28","guid":{"rendered":"https:\/\/france-amerique.com\/jean-pierre-laffont-the-darkness-of-america\/"},"modified":"2021-01-22T23:36:50","modified_gmt":"2021-01-22T23:36:50","slug":"jean-pierre-laffont-la-noirceur-amerique","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/jean-pierre-laffont-la-noirceur-amerique\/","title":{"rendered":"Jean-Pierre Laffont : la noirceur de l\u2019Am\u00e9rique"},"content":{"rendered":"\t\t
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Arriv\u00e9 \u00e0 New York en 1965, \u00e0 l\u2019\u00e2ge de 30 ans, le Fran\u00e7ais n\u00e9 en Alg\u00e9rie d\u00e9couvre un pays en pleine m\u00e9tamorphose. C\u2019est le d\u00e9but de la g\u00e9n\u00e9ration sex, drugs and rock n\u2019roll<\/em>, le temps des \u00e9meutes raciales, des assassinats politiques et des r\u00e9volutions sociales. Jean-Pierre Laffont<\/span><\/a> sait \u00eatre au bon endroit, au bon moment. Mais fauch\u00e9, il doit suivre \u00e0 la t\u00e9l\u00e9 les marches de Martin Luther King en Alabama. \u00ab\u00a0Je savais que je ratais quelque chose d’important.\u00a0\u00bb<\/span><\/p>

Il se rattrape en avril 1967. Devant le si\u00e8ge des Nations Unies \u00e0 New York, le leader du mouvement pour les droits civiques prononce un discours contre la guerre au Vietnam, o\u00f9 les soldats afro-am\u00e9ricains subissent de lourdes pertes. Jean-Pierre Laffont immortalise la sc\u00e8ne : le gratte-ciel de l\u2019ONU, noir et mena\u00e7ant, se refl\u00e8te dans les yeux du Dr. King.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Martin Luther King devant le si\u00e8ge des Nations Unies, New York, le 15 avril 1967. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Des militants du Black Panthers Party sur le campus de Yale, le 2 mai 1970. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Un an plus tard, l\u2019heure est au deuil et \u00e0 la col\u00e8re. Martin Luther King a \u00e9t\u00e9 assassin\u00e9 ; Jean-Pierre Laffont s\u2019envole pour Atlanta et suit le cort\u00e8ge qui accompagne le pasteur vers sa derni\u00e8re demeure. Les soldats en armes de la garde nationale encadrent la procession ; dans la foule, noirs et blancs brandissent des pancartes : \u00ab\u00a0Honorez King : mettez fin au racisme\u00a0\u00bb.<\/span><\/p>

\u00ab\u00a0Le r\u00eave am\u00e9ricain semblait se d\u00e9sint\u00e9grer\u00a0\u00bb, se souvient le photojournaliste fran\u00e7ais, qui recevra le 20 octobre prochain le Lucie Award<\/span><\/a> pour l’ensemble de sa carri\u00e8re.\u00a0<\/span>Il immortalise la militante Angela Davis \u00e0 Madison Square Garden, le poing lev\u00e9 derri\u00e8re la vitre pare-balle qui la prot\u00e8ge, et se rend \u00e0 la prison de Cummins dans l\u2019Arkansas. Dans cette ferme p\u00e9nitenci\u00e8re, les d\u00e9tenus, noirs pour la plupart, peinent dans les champs de coton sous le regard des gardiens \u00e0 cheval. Comme si l\u2019abolition de l\u2019esclavage un si\u00e8cle auparavant n\u2019avait rien chang\u00e9.<\/span><\/p>

Puis vint la rencontre avec le Ku Klux Klan. \u00ab\u00a0Leur leader m’a donn\u00e9 rendez-vous dans leur quartier g\u00e9n\u00e9ral en Louisiane\u00a0\u00bb, t\u00e9moigne Jean-Pierre Laffont. \u00ab\u00a0Ils ont entour\u00e9 cette croix m\u00e9tallique dans l’arri\u00e8re-cour, qu’ils ont arros\u00e9e de gazoline avant d’y mettre le feu en chantant des chansons sur la sup\u00e9riorit\u00e9 de la race blanche. Ce genre de c\u00e9r\u00e9monie existe toujours.\u00a0<\/span>Ce pays vit une pand\u00e9mie plus grave que la Covid-19 : la haine raciale.\u00a0\u00bb<\/span><\/p>


Les images suivantes sont extraites du livre <\/span>Le paradis d\u2019un photographe : Tumultueuse Am\u00e9rique 1960-1990<\/i><\/span><\/span><\/a>\u00a0de Jean-Pierre Laffont, publi\u00e9 aux \u00e9ditions Glitterati en 2014, et ont fait l\u2019objet en 2015 d\u2019une exposition \u00e0 la Maison Europ\u00e9enne de la Photographie \u00e0 Paris.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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P\u00e9nitencier de Cummins, dans l\u2019Arkansas, le 3 f\u00e9vrier 1968. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Fun\u00e9railles de six prisonniers noirs tu\u00e9s lors du soul\u00e8vement de la prison d\u2019Attica, Brooklyn, le 25 septembre 1971. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Prison des \u00ab Tombs \u00bb \u00e0 Manhattan, le 28 septembre 1972. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Discours d\u2019Angela Davis \u00e0 Madison Square Garden, 29 juin 1972. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Mohamed Ali invective Joe Frazier avant leur combat au Madison Square Garden, New York, le 23 janvier 1974. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Rassemblement du Ku Klux Klan \u00e0 Dunham Springs, en Louisiane, le 11 d\u00e9cembre 1976. \u00a9 Jean-Pierre Laffont<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

De l\u2019enterrement de Martin Luther King aux camps du Ku Klux Klan en Alabama, le photographe fran\u00e7ais Jean-Pierre Laffont, install\u00e9 \u00e0 New York, a saisi la noirceur et la violence de l\u2019Am\u00e9rique. La fin du r\u00eave.<\/p>\n","protected":false},"author":5,"featured_media":19377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-6732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"\nJean-Pierre Laffont : la noirceur de l\u2019Am\u00e9rique - France-Am\u00e9rique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/jean-pierre-laffont-la-noirceur-amerique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Pierre Laffont : la noirceur de l\u2019Am\u00e9rique - France-Am\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"De l\u2019enterrement de Martin Luther King aux camps du Ku Klux Klan en Alabama, le photographe fran\u00e7ais Jean-Pierre Laffont, install\u00e9 \u00e0 New York, a saisi la noirceur et la violence de l\u2019Am\u00e9rique. 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