{"id":7257,"date":"2020-12-03T09:00:03","date_gmt":"2020-12-03T09:00:03","guid":{"rendered":"https:\/\/france-amerique.com\/picto-and-magnum-photos-a-parallel-history\/"},"modified":"2021-02-10T17:17:22","modified_gmt":"2021-02-10T17:17:22","slug":"picto-et-magnum-photos-une-histoire-parallele","status":"publish","type":"post","link":"https:\/\/france-amerique.com\/fr\/picto-et-magnum-photos-une-histoire-parallele\/","title":{"rendered":"Picto et Magnum Photos : une histoire parall\u00e8le"},"content":{"rendered":"\t\t
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De la c\u00e9l\u00e8bre photo du soldat qui tombe \u00e0 la renverse, fauch\u00e9 pendant la guerre civile espagnole et immortalis\u00e9 par Robert Capa, \u00e0 l\u2019incendie de Notre-Dame saisi par le photographe parisien Patrick Zachmann, en passant par l\u2019inoubliable portrait de Che Guevara par Ren\u00e9 Burri et les grands formats new-yorkais de Raymond Depardon, plus de 120 tirages dessinent sur les murs blancs de la galerie une frise chronologique qui s\u2019\u00e9tire des ann\u00e9es 1930 jusqu\u2019\u00e0 aujourd\u2019hui.<\/span><\/p>

L\u2019exposition s\u2019intitule\u00a070 ans de correspondances : Magnum Photos et Picto 1950-2020<\/em><\/a><\/span>, mais l\u2019histoire parall\u00e8le de l\u2019agence et du laboratoire commence il y a pr\u00e8s de cent ans, dans le Paris de l\u2019entre-deux-guerres. A la brasserie du D\u00f4me et dans les caf\u00e9s du quartier de Montparnasse, se soude un groupe de photographes humanistes. Les uns sont n\u00e9s aux portes de Paris, les autres ont fui la Hongrie ou la Pologne ; ils s\u2019appellent Henri Cartier-Bresson, Andr\u00e9 Kert\u00e9sz, Brassa\u00ef, Robert Capa, David Seymour, Pierre Gassmann…<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\"Richard-Taittinger-picto-magnum-photos-70-Years-of-Correspondences\t\t\t\t\t\t\t\t\t\t\t
\u00a9 Courtesy of Richard Taittinger Gallery<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00ab\u00a0Ils \u00e9taient tous \u00e0 la fois photographes et tireurs \u00e0 cette \u00e9poque\u00a0\u00bb, explique Julien Alamo, vice-pr\u00e9sident de <\/span>Picto New York<\/span><\/a>. \u00ab\u00a0Cartier-Bresson \u00e9tait excellent photographe et Gassmann \u00e9tait excellent tireur.\u00a0\u00bb Le jeune homme, qui a \u00e9tudi\u00e9 l\u2019optique et la chimie \u00e0 Berlin, a converti sa salle de bain parisienne en chambre noire et rince les tirages dans le bidet. En 1937, il d\u00e9veloppe les photos espagnoles de Capa et de Seymour : c\u2019est vraisemblablement la premi\u00e8re collaboration entre le futur fondateur de Picto et les futurs fondateurs de Magnum.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Le d\u00e9but d'une grande aventure<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Apr\u00e8s la guerre, Pierre Gassmann abandonne son activit\u00e9 de photographe pour devenir le tireur attitr\u00e9 de l\u2019agence <\/span>Magnum Photos<\/span><\/a>, qui voit le jour \u00e0 New York le 22 mai 1947. Il imprime les images du premier voyage de Cartier-Bresson en Chine et la s\u00e9rie <\/span>Enfants d\u2019Europe<\/em> de Seymour, reportage sur les enfants r\u00e9fugi\u00e9s r\u00e9alis\u00e9 pour le compte de l\u2019Unesco dont plusieurs photos sont expos\u00e9es dans le cadre de l\u2019exposition. Le tireur travaille aussi avec les Nations Unies, l\u2019Otan, le MoMA, les magazines am\u00e9ricains Vogue et Harper\u2019s Bazaar et le 12 janvier 1950, fonde le laboratoire Pictorial Service \u2013 que tout le monde appelle bient\u00f4t Picto \u2013 au 17 rue de la Com\u00e8te dans le 7<\/span>e<\/sup> arrondissement.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Varsovie, Pologne, 1948. \u00a9 David Seymour\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Kyoto, Japon, 1951. \u00a9 Werner Bischof\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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L\u2019entreprise, qui comptait \u00e0 son lancement six agrandisseurs, a \u00e9toff\u00e9 son activit\u00e9 \u2013 impression num\u00e9rique grand format, retouche technique, service aux marques et aux particuliers en ligne \u2013 et a ouvert en 2015 un laboratoire \u00e0 Manhattan. Philippe Gassmann a succ\u00e9d\u00e9 \u00e0 son grand-p\u00e8re aux commandes de la maison et la collaboration avec Magnum se poursuit : en t\u00e9moignent les photos de la Californienne Carolyn Drake, de la New-Yorkaise Alessandra Sanguinetti et de la Singapourienne Sim Chi Yin, qui repr\u00e9sentent le dernier volet de l\u2019exposition, intitul\u00e9 \u00ab\u00a0Demain\u00a0\u00bb. \u00ab\u00a0Ce qui se faisait hier avec des plumes et des masques dans une chambre noire se fait aujourd\u2019hui sur Photoshop\u00a0\u00bb, explique Julien Alamo, \u00ab\u00a0mais la complicit\u00e9 entre photographe et tireur reste inchang\u00e9e\u00a0\u00bb.<\/span><\/p>

Le photographe pr\u00e9l\u00e8ve une emprunte du r\u00e9el sur un ruban de film n\u00e9gatif ; le tireur, dans l\u2019obscurit\u00e9 au sens propre comme au figur\u00e9, mat\u00e9rialise cette vision sur une feuille de papier photosensible. Une relation symbiotique admirablement d\u00e9crite dans une lettre adress\u00e9e par Henri Cartier-Bresson au fondateur de Picto en 1999 et reproduite dans l\u2019exposition. \u00ab\u00a0Pierre Gassmann est un grand entomologue qui a fix\u00e9 et mis en valeur ce que nous, photographes, avons saisi dans nos filets \u00e0 papillons.\u00a0\u00bb<\/span><\/p>


70 ans de correspondances : Magnum Photos et Picto 1950-2020<\/a><\/em><\/span>
Du 29 octobre au 20 d\u00e9cembre 2020<\/span>
Galerie Richard Taittinger, New York

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New York, ca. 1957. \u00a9 Raymond Depardon\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Palerme, Sicile, Italie, 1963. \u00a9 Bruno Barbey\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Zera, Tch\u00e9coslovaquie, 1967. \u00a9 Joseph Koudelka\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Tbilissi, G\u00e9orgie, 2003. \u00a9 Antoine d\u2019Agata\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Wall Street, New York, Etats-Unis, 2 mai 2017. \u00a9 Raymond Depardon\/Magnum Photos<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Depuis plus de soixante-dix ans, le laboratoire fran\u00e7ais Picto exprime la vision des photographes de l\u2019agence Magnum Photos, fond\u00e9e \u00e0 New York en 1947. Cette collaboration transatlantique, aussi f\u00e9conde qu\u2019historique, est le sujet d\u2019une exposition \u00e0 d\u00e9couvrir jusqu\u2019au 20 d\u00e9cembre \u00e0 la galerie Richard Taittinger de New York.<\/p>\n","protected":false},"author":5,"featured_media":22524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-7257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"acf":[],"yoast_head":"\nPicto et Magnum Photos : une histoire parall\u00e8le - France-Am\u00e9rique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/france-amerique.com\/fr\/picto-et-magnum-photos-une-histoire-parallele\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Picto et Magnum Photos : une histoire parall\u00e8le - France-Am\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Depuis plus de soixante-dix ans, le laboratoire fran\u00e7ais Picto exprime la vision des photographes de l\u2019agence Magnum Photos, fond\u00e9e \u00e0 New York en 1947. Cette collaboration transatlantique, aussi f\u00e9conde qu\u2019historique, est le sujet d\u2019une exposition \u00e0 d\u00e9couvrir jusqu\u2019au 20 d\u00e9cembre \u00e0 la galerie Richard Taittinger de New York.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/france-amerique.com\/fr\/picto-et-magnum-photos-une-histoire-parallele\/\" \/>\n<meta property=\"og:site_name\" content=\"France-Am\u00e9rique\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-03T09:00:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-10T17:17:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/france-amerique.com\/wp-content\/uploads\/2020\/12\/Robert-Capa-international-brigades-spain-1938.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Cl\u00e9ment Thiery\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cl\u00e9ment Thiery\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/\"},\"author\":{\"name\":\"Cl\u00e9ment Thiery\",\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/#\\\/schema\\\/person\\\/9147b71f680bf9f4553dbd25e7403068\"},\"headline\":\"Picto et Magnum Photos : une histoire parall\u00e8le\",\"datePublished\":\"2020-12-03T09:00:03+00:00\",\"dateModified\":\"2021-02-10T17:17:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/\"},\"wordCount\":676,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/france-amerique.com\\\/wp-content\\\/uploads\\\/2020\\\/12\\\/Robert-Capa-international-brigades-spain-1938.jpg\",\"articleSection\":[\"Culture\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/\",\"url\":\"https:\\\/\\\/france-amerique.com\\\/fr\\\/picto-et-magnum-photos-une-histoire-parallele\\\/\",\"name\":\"Picto et Magnum Photos : une histoire parall\u00e8le - 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